BhavaBhakti - BhagavanBhagavati - SrimadDeviBhagavatam: 2024

Six types of Liberation

sayujya, merging with the body of the Lord (means merging into the Brahman effulgence of the Lord.) – SB-1.9.40
salokya, -residing on the same spiritual planet as the Lord (means that after material liberation one is promoted to the planet where the Supreme Personality of Godhead resides) -SB -2.7.49
sarupya, (means attaining a four-handed form exactly like that of the Lord.) SB-2.7.49
sarsti and (means attaining opulences like those of the Supreme Lord,) SB-2.7.49
samipya (means remaining an associate of the Supreme Personality of Godhead) -SB – 2.7.49
vimukti (Special mukti) -When after liberation one is situated on the platform of prema-bhakti, one is said to have achieved vimukti, “special mukti.” – SB -4.8.61, SB -10.9.20

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Pass

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Krishna Replaced all Species Vanished by Brahma

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spotless

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Garuda

Garuda Purana -

artho ’yam brahma-sutranam bharatartha-vinirnayah
gayatri-bhasya-rupo ’sah vedartha-paribrmhitah
grantho ’stadasa-sahasrah srimad-bhagavatabhidhah

"The Bhagavata is the authorized explanation of Brahma-sutras, and it is a further explanation of Mahabharata. It is the expansion of the gayatri-mantra and the essence of all Vedic knowledge. This Bhagavata, containing eighteen thousand verses, is known as the explanation of all Vedic literature."11

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Feet to Head

Padma Purana -

padau yadiyau prathama-dvitiyau trtiya-turyau kathitau yad-uru
nabhis tatha pancama eva sasto bhujantaram dor-yugalam tathanyau

kanthas tu rajan navamo yadiyo mukharavindam dasamam praphullam
ekadaso yas ca lalata-pattam siro’pi yad dvadasa eva bhati

namami devam karuna-nidhanam tamala-varnam suhitavataram
apara-samsara-samudra-setum bhajamahe bhagavata-svarupam

"The first and second cantos of the Bhagavata are Sri Krsna’s feet. The third and fourth cantos are His thighs. The fifth canto is His navel. The sixth canto is His chest. The seventh and eighth cantos are His arms. The ninth canto is His throat. The tenth canto is His beautiful lotus-face. The eleventh canto is His forehead. The twelth canto is His head.

I bow down to that Lord , the ocean of mercy whose color is like that of a tamala tree and who appears in this world for the welfare of all. I worship Him as the bridge for crossing the unfathomable ocean of material existence. The Bhagavata has appeared as His very Self."

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Greatest

In the Padma Purana (Uttara-khanda 193.3)

puranesu tu sarvesu srimad bhagavatam param
yatra prati-padam krsno giyate bahudharsibhih

"Of all the puranas, the Bhagavata is the greatest. In every line the sages glorify Sri Krsna in various ways."

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reaps

In the Visnu Khanda of the Skanda Purana (5.16.40-42, 44,33) –

sataso 'tha sahasrais ca kim anyaih sastra-samgrahaih
na yasya tisthate gehe sastram bhagavatam kalau

katham sa vaisnavo jneyah sastram bhagavatam kalau
grhe na tisthate yasya sa viprah svapacadhamah

yatra yatra bhaved vipra sastram bhagavatam kalau
tatra tatra harir yati tridasaih saha narada

yah pathet prayato nityam slokam bhagavatam mune
asta-dasa-purananam phalam prapnoti manavah

"If the Bhagavata is not kept in one's house in the Kali Yuga, of what avail are collections of other scriptures by the hundreds and thousands? How can he be condidered a Vaisnava who, in the Kali Yuga, does not keep the Bhagavata in his house? Even if he is a brahmana, he is lower than an outcaste. O Narada, O Sage, wherever the Bhagavata is found in the Kali-yuga, there Hari goes together with all the demigods. O Muni, that pius soul who daily recites a verse from the Bhagavata reaps the fruits of the eighteen Puranas."

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