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"What Dhârâna is it that speedily brings on concentration and purity of mind?" was the next question.
Suka replied: — "Dhârâna of the Sthûla aspect of Bhagavâna, by a fully controlled mind." He then went on dilating on the Sthûla or Universe aspect, called Virât Purusha or Mahâpurusha. The present, the past, the future is manifest in that aspect.
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The Virâta Purusha is the soul of an Egg-like body with a seven-fold cover of earth, water, fire, air, âkasa, Ahankâra, and Mahat, respectively.
Pâtâla is His feet, Rasâtala His heels, Mahâtala His ankles, Talâtala His legs, Sutala His knees, Vitala the lower portion of His thighs, and Atala the upper portion.
Bhûr Loka is His loins, Bhuvar Loka His navel, Svar Loka His breast, Mahar Loka His throat, Jana Loka His mouth, Tapas Loka His forehead, and Satya Loka is the head of the thousand-headed Virât Purusha.
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Indra and other Usra Devas (the world Usra meaning, literally, a ray of light) are his hands.
The Dik or space gods are his ears. The twin gods Asvini Kumâra are his nose.
Agni is His mouth.
The firmament is His eyes and the Sun-god His sight.
Day and night are His eye-lashes.
The graceful movement of His eye-brows is the abode of the Supreme.
Water is His palate, taste His tongue.
The Vedas are known as His Brahmâ-randhra.
Yâma is His tusk.
The objects of affection are His teeth.
His enchanting smile is Mâyâ.
The endless creation is His side-glance.
His lower lip is shame, and the upper greed.
Dharma is His breast. Adharma His back.
Prajâpati is His generative organ.
The Mitrâ-Varuna gods are His sense of taste.
The seas are His belly, the mountains His bony system and the rivers His veins and arteries.
The trees are the hairs of the Universe-bodied.
The powerful wind-god is His breath.
Time is His movement.
His play is the flow of Gunas.
The clouds are His hairs.
Twilight is His clothing.
Prakriti is His heart.
His manas is the moon, which is the source of all transformations.
Mahat is His Chitta.
Rudra is His Ahankâra.
Horses, mules, camels and elephants are His nails.
All the other animals are His loins.
The birds are His wonderful art.
He is the abode of Manu, Buddhi and Man.
Gandharva, Vidyâdhara, Chârana and Apsaras are His musical notes.
The Asuras are His strength.
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The Brâhmana is His mouth, the Kshatriya His hands, the Vaisya His thighs, and the black Sûdra His feet.
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The Devas severally and collectively are His havis or sacrificial ghee, and yajna is His karma.
This is Virât Purusha. This is how the Universe-aspect of Purusha is realised in meditation, more as a means of concentration, than as the end. When the mind is sufficiently fixed by Dhârâna or contemplation of Virât Purusha,
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